Wednesday, August 11, 2010

Matthew Dicks on the Book Tour (Pt. 2)

Book tours tend to be a series of unpredictable, wildly varying events that keep you on your toes. They are filled with highs and lows, but they are rarely, if ever, boring.

A weekend trip to my hometown last summer, while on my tour for SOMETHING MISSING, illustrates this well.

I had two appearances scheduled for this particular Saturday: The Blackstone Public Library in my hometown of Blackstone, MA and an indie bookstore down the road a bit in Uxbridge. I was also scheduled to appear at the public library in neighboring Millville later that evening, but when the Town Council reminded the head librarian, a former classmate, that events could not be scheduled simultaneously in their tiny town, I was bumped in favor of a pancake social.

Not so good for the authorial ego.

I was scheduled to appear with local author Stacy Juba, who was instrumental in setting up both events. Appearing alongside another author was something I did quite often last year and enjoyed a lot. Being a new author, I found that combining forces with fellow writer often provided for larger audiences and greater opportunities to make new friends in the writing community. I made a handful of new friends last year, and they have played important roles in my life as an author. Earlier this month, for example, I wrote a guest post on Stacy Juba’s blog to coincide with my own book launch, and the two blurbs on the back of UNEXPECTEDLY, MILO are written by authors who appeared alongside me in Chester, Vermont earlier this year.

My wife often says that one of the unexpected blessings of my writing career has been the new and interesting friends who we have made along the way, and I couldn’t agree more.

The first appearance of the weekend, at the Blackstone Library, was full of notable highlights.

My high school English teacher, and the man who inspired me to become a writer, was the first to arrive at the library, and I was honored to be able to shake his hand and thank him for all that he did to change my life. He was joined by a handful of former classmates and friends, including my high school sweetheart, Laura, who I had not seen in years. When it came time to name Martin’s love interest in SOMETHING MISSING, I chose the name Laura as a nod to her, and so I was pleased to see that she was able to attend the appearance.

Wendy, the girl who I took to my sophomore semi-formal, also attended the event, and she came bearing a gift: a photograph of me from fourth grade, standing onstage and performing during our class’s end-of-year musical. This photograph was important for a couple of reasons:

First, I have very few photographs from my childhood, so every photo that I have is precious. To add even one image to the pile was very meaningful to me.

But this photo was especially important because it captured the moment leading up to my very first kiss, an onstage, choreographed peck on the cheek with Patti Catalano.

I remember the moment like it was yesterday. Weeks before the performance, our music teacher, Mrs. Carroll, had called upon me and Sean Trudel to perform a song and dance that would culminate with each of us dipping and kissing our dance partners. Mrs. Carroll claimed that she was choosing us for our high level of maturity, but Sean Trudel was the most poorly behaved kid in the class, so the maturity argument was nonsense and I knew it.

To this day I don’t know why I was chosen for this assignment.

Just moments after this photograph was taken (I’m the one in the white shirt with the red bandana), I dipped and kissed Patti Catalano onstage in front of friends and family, much to my horror and probably the horror of poor Patti, who was on the receiving end of my amateurish offering.

My first kiss, courtesy of Mrs. Carroll and her inexplicable decision to cast me for the part. And her equally inexplicable decision to have nine-year olds kissing onstage.

And all this from a book tour stop.

From the library, we proceeded to an independent bookstore about twenty minutes away.

Sitting in the audience at this appearance was another familiar face: Mrs. Allen, my middle school social studies teacher. Mrs. Allen was the person who inspired me to install a stage in my classroom after I spent my middle school days in her similarly-equipped classroom. She was a magnificent teacher and I think about her often in terms of my own teaching career.

And once again, she came to my rescue.

I was asked during the question-and-answer session about how I choose the potion of my book to read aloud to audiences, and I explained that the decision was a difficult one for me, so I routinely asked my agent and editor to help me decide.

“What if you were to choose without any help?” the woman pressed. “What would you have picked?”

“The last chapter,” I said, trying to keep from smiling. “That way I could’ve spoiled the story for all of you.”

The audience failed to react, apparently finding my comment significantly less amusing than I had envisioned, but after a moment of awkward silence, Mrs. Allen spoke up from the rear of the room. “He hasn’t changed a bit!” she growled, bringing the room to laughter and letting me off the hook.

This is where the things took a sour turn. When it came time to sign books, a woman in her mid-thirties pulled up a chair beside me and began talking to me about her life as a writer. Her book, her writing process, and her repeated attempts to get published. After several minutes, it became readily apparent that she was not the kind of person who fully understood the concept of boundaries and the needs of those around her. As the line of readers grew longer and longer, each waiting patiently for m signature, she leaned in closer and closer, attempting to abscond with all of my time and attention.

Eventually I offered to read the first ten pages of her manuscript, as I do for any writer who asks, and she agreed to send them along and finally made room for the next person.

Whenever I offer to read a writer’s work, I always make sure that he or she understands that it can take me a while before I get to the piece, depending on my schedule. At the time of this appearance, my school year was in full swing, report cards and parent teacher conferences were approaching, and I had just begun working on the final revision of UNEXPECTEDLY, MILO. With this in mind, I explained that it could be a month or two before she heard back from me.

She said that she understood.

A month later, she politely inquired as to my progress via email, and I responded by explaining that with Thanksgiving approaching, I was hoping to read her pages during my time off. Unfortunately, I did not get to the piece during my mini-vacation, but I managed to read and comment on the pages during the following weekend, in between football games. On Monday morning, just as I was putting the final touches on my comments, I received an email from her:

Dear Matthew, please delete the e-mailed chapters. I am developing a zero tolerance policy for hollow promises.

Like a fool, I attempted to play off her comment as an obvious joke, explaining that I had actually just finished reading her pages, had enjoyed them a lot and had some comments ready for her.

Her response?

Dear Matthew...totally serious - and it has nothing to do with "read me, read me" mentality. It's the broken promises, from you and the long line of lip-servicers behind you. I am the type of person that can be taken at my word - and make every effort to fulfill a promise.. Please do not take the request to delete personally...I just no longer wish to expend expectation energy after the second (eighth, in some cases!) promise. You are a busy man. I understand completely that you didn't get to the chapters.

In addition to writing an interesting and humorous story, she is also apparently quite capable at delivering the passive-aggressive, backhanded compliment as well.

And yet I still gave her one more chance, explaining that publishing can be a difficult waiting game, and while I understood her frustration, the opportunity to receive a critique from a published author should not be disregarded. Even an author with as few credentials as me.

Her response:

Dear Mr. Dicks...please delete the three chapters... I still feel that you are deflecting accountability for your early November e-mail to "read it next week."

Note the change in salutation.

And all of this from a simple book tour appearance.

But for every negative experience come dozens of positive ones. Last weekend I spoke at RJ Julia in Madison, CT and I was once again surprised, this time by my former Manchester Community College English professor, who also came bearing gifts:

Two recommendation letters that she had written for me in 1997 that helped me gain admission to Trinity College and be named a member of USA Today’s Academic All American team. I knew at the time that the letters had been written, but until this week, I had never seen them. They were very kind, and they brought back many, many memories of my community college days.

Like I said, you never know what to expect while on tour. Mostly good, some bad, but always interesting.

Matthew Dicks' new book Unexpectedly Milo is available now. He will be reading and signing at Water Street Bookstore on Saturday, August 21st at 6pm. In the meantime, check out his blog where he's been known to write about such things as wheeled luggage, around-the-table photographs, and Jerry Maguire.

The Dreaded Started Book Pile

The stack of started books next to my bed has grown to just under two feet tall. I'm not messing with you. That's a tall pile of books. Kind of dangerous, really.

These are books that I couldn't get into but don't want to give up on. And I'm not afraid to give up on books, trust me. I have chucked books across the room and left them there. That's not the issue. These are books that I know have potential to be great. They probably are great. But for some reason, they have not made it out of the Dreaded Started Book Pile. There are ARCs (publishing-speak for advanced reader copies) that I don't want to surreptitiously return to the bookstore (we have a policy that you aren't allowed to return ARCs...I guess they want to encourage us to read them, or they're worried that the place will collapse under the weight of them all. Either way.). There are new books I bought thinking I would absolutely love. There are books I've borrowed from the store to read and review (another perk of being an independent bookseller. It could also be seen as voluntary unpaid work. Either way.). There are books I started and actually liked but which, for whatever reason, got shuttled down the pile in favor of another book.

What does this precariously tall pile of books say about me? That I make bad snap judgments? That I take on way too much? That I lack the focus and sheer words-per-minute speed of the seasoned book reviewer? Or worse, that I just can't commit? Whichever reason it is, decisions need to be made. Some of these books will never be read by me. I just need to accept that. The pile must be winnowed down soon before it collapses like the leaning tower of books that it is and squashes my cat.

Monday, August 2, 2010

Matthew Dicks on the Book Tour (Pt.1)

Matthew Dicks, author of the novels Something Missing and Unexpectedly Milo (Random House), writes in this guest post about the unique experience that is the book tour. This is the first of a 3 part series.

My book tour begins this week. Since this is my second book, I have a much better sense of what to expect while touring libraries and bookstores throughout New England and New York, which is to say that I have no idea what to expect.

When I first sold SOMETHING MISSING, my friends and family asked if my publisher would be sending me on a book tour. I said yes, feeling like a big shot and assuming they would, and while this was true, it was tangentially true. Book tours mean many different things to many different authors. As a first time author, it didn’t mean a lot.

Unless your books debut on the bestseller lists, it’s unlikely that your publisher is going to be sending you around the country on your book tour in today’s economic climate. The days of national book tours and high class book release parties hosted by publishers in New York City are a thing of the past. And according to authors who I have gotten to know over the past year, this shift in the way that the book industry does business turned out to be a good thing. One author I know whose publisher sent her on a three month, nationwide tour told me that her audiences averaged about ten people per visit. This proved to be quite depressing when she found herself three thousand miles from home, away from her family for weeks on end, only to be greeted by a handful of readers at each event. She estimated that the whole tour sold an additional five hundred books and was ultimately a waste of time and money.

The first stop on my tour was an indie bookstore about an hour from my home. My wife, my infant daughter and I headed down the road, not sure what to expect. While I had visions of dozens, if not hundreds of people crowding the bookstore in order to hear me speak, the number ended up being closer to a dozen, and had two of my students and their families not been kind enough to make the trip, I would have been able to count the attendees on one hand. Still, it was a good start for me. We sat in plush chairs in a rough semi-circle and ate cookies while I discussed my book and answered questions.

The one thing I have going for me is I enjoy speaking in public, which it not the case for many authors. I can also speak with relatively little preparation, so you never know what I might say while on tour. Three days before my current tour is set to launch, I have yet to even think about what I will be saying at this week’s appearances and have not found a passage to read from the book yet.

Feeling humbled by my debut, I headed to my next stop hoping that someone, anyone would be there to listen and maybe purchase a book. In between tour stops, I had listened to an author talk about how the only person to attend his first ten appearances was his brother. My brother disappeared three years ago (as he is wont to do from time to time), so I had no safety net.

Thankfully, there were more than two dozen people at my next appearance, and I say two dozen because it sounds significantly more impressive than the twenty-five people who actually showed up. And once again, things went well. I managed to make my audience laugh quite a bit and became a little more confident with this book touring business.

Hoping for somewhere between two and twenty-five people for my next stop, I was shocked to arrive at a library on the Connecticut shore and find almost two hundred people waiting for me. One thing I learned rather quickly: libraries draw large audiences almost every time.

The book tour continued for almost a year, and even though there were times when I would drive two hours to speak to six people, there was never a visit that I regretted. I spoke at bookstores, libraries, churches, high schools and even a nursing home. I attended more than half a dozen book clubs throughout the year, and oftentimes these living room events drew larger audiences than some of my bookstore appearances. I had the pleasure of appearing with other authors on several occasions, and in January I had the honor of appearing in Misty Valley Books New Voices series with four other authors, all of whom I am proud to call my friends today. Two of them wrote blurbs for the back cover of UNEXPECTEDLY, MILO.

During my year of touring, I encountered some memorable people and experienced some odd and amusing situations. I met former teachers and friends, many of whom I had not seen in twenty or more years, and I managed to reconnect with my father, who I had not seen or spoken to for nearly as long. I met some bizarre individuals, was asked some strange questions and was introduced by the wrong name at least twice.

I’ll be contributing a post a week for the next two weeks, prior to my visit to Water Street Books, and in the subsequent posts, I’ll share a few of these more memorable stories with you.

I hope to see you all on Saturday, August 21 at 6:00! I look forward to meeting you all, bizarre and otherwise, and perhaps creating a few new memorable moments in the process!

Matthew Dicks


http://matthewdicks.com/ Read about my writing career and life at http://matthewdicks.typepad.com/ Become a fan on Facebook at http://www.facebook.com/matthewjdicks Follow me on Twitter at http://twitter.com/MatthewDicks

Friday, July 30, 2010

The Nth Defense of Physical Books

Dear Books,
I love you all. I do. But it has occured to me that the ones of you I'm fondest of, the ones that make me happiest when I think of you taking up space in my tiny apartment, are the ones that have called to me. I bought you for no other reason than that I absolutely could not live without you. I tried. I didn't buy you the first time I saw you. But I kept thinking about you. I hadn't heard good things about you (which is, by the way, bookseller parlance for "I have never seen that book before in my life, but I cannot bear to discredit my bookseller omniscience by admitting it."), hadn't read the ARC months earlier, hadn't seen you reviewed in the NYT. There was just something about you-- the stubbly texture of your cover, your smartly deckled edges, your elegant french flaps, the sharp relief of graphic color on color. By the time I had picked you up, it was all over. Something is out there by Richard Bausch, The Collected Stories of Lydia Davis, The Rehearsal by Eleanor Catton, Rat by Fernanda Eberstadt, Death is Not an Option by Suzanne Rivecca. You simply called to me. I had to answer.

Yours,
Stef

Deborah Blumenthal answers our Top Five

Deborah Blumenthal is an award-winning journalist and nutritionist who now divides her time between writing children's books and adult novels. She has been a regular contributor to The New York Times (including four years as the Sunday New York Times Magazine beauty columnist), and a home design columnist for Long Island Newsday. She'll be reading and signing her new picture book, The Blue House Dog, on Saturday, July 31st at 11am at the bookstore.

1. What's on your nightstand right now?


The Liars' Club by Mary Karr and When You Reach Me by Rebecca Stead.

2. How do you write?

Writing is my full-time job, but that doesn't mean I work a 40-hour week. When I'm in the middle of a project and it's going well, I can work from morning until night. If I'm not in the middle of a project or I'm working on something that isn't going well, I waste enormous amounts of time surfing websites like Zappos.com and JCrew.com. Whether I'm productive or not, I always work in a quiet area.

3. Name the first time or moment you realized you were a writer.
I married a writer – a reporter for The New York Times - and after that I began to think of everything in life as potential copy. I’m a nutritionist and my very first published piece was a New York Times story that my husband and I wrote jointly, about my attempts to convert him to vegetarianism. I wasn’t successful, but at least he stopped eating grilled franks with melted cheese.

4. What are you working on now?
More picture books and a YA novel.


5. Favorite recent find?

Definitely the lobster roll I had at the Beach Plum in North Hampton. In terms of books, I loved Sweethearts, a YA novel by Sara Zarr.

Friday, July 23, 2010

Elizabeth Dembrowsky answers our Top Five

Elizabeth Dembrowsky has written and directed several plays, including one for the Samuel French Festival in New York City. A native of Stroughton, Massachusetts, she studied at Boston University and The Warwick Writing Programme in the UK. She'll be sharing from her new novel, My Monk: A Typographic Novel, on Monday, July 26th at 7pm at the bookstore.


1. What's on your nightstand right now?
The Immortal Life of Henrietta Lacks.

2. How do you write?

I write everywhere and anywhere. When I lived in England, I tended to keep a schedule but here in NYC I havent. I wrote about 1/2 of My Monk in offices around Manhattan while working as a temp. My new novel, I work on a lot at home but also when traveling- I am enjoying allowing the place to make its way into the story- an experiment I hope the readers will enjoy. I usually dont listen to music when I write (if I can help it), but for poetry I almost always do. My Confessions series were highly influenced by both R.E.M. and Madonna's album American Life.

3. Name the first time or moment you realized you were a writer.

When I would be careful as I wrote my diary entries- sure the world would read them one day. Fortunately, they havent; a good thing partly because they are sooooo boring.
4. What are you working on now?

My second novel To Save One. I love writing this story and cannot wait for readers to tell me what they think of it.

5. Favorite recent find?

Semi-recent but I found a husband. Pretty wild- never thought I would find one but am thrilled I have.

Monday, July 19, 2010

Big thanks to two Exeter independent shops

We had a reception here over the weekend with the American Booksellers Association, which was great fun. The board flew in from all over the country for their meeting, and we did the wine and cheese thing here Friday night. I just want to say a quick but enthusiastic thank you to two local Exeter shops for their help with the reception: La Cave a Vin and Hannah's. Laura at La Cave a Vin put together an amazing display of wine, cheese and fruit for a very reasonable price. She also carefully set up the table and made everything look lovely. And the wonderful people at Hannah's donated a big bag with hummus, tabbouleh and other treats if we put out their menus. Hannah's has both hot and cold items and a great dessert case. The people there are always incredibly friendly and accommodating. La Cave a Vin has wine and gourmet cheese, in a range of prices, as well as wine tastings and classes. La Cave is located at 103 Water Street and Hannah's is at 130 Water Street. Let's support our independent Exeter!